Albert Bierstadt's Oil Paintings
	Albert Bierstadt Museum Jan 8, 1830 - Feb 18, 1902. German-American painter.
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Here are all the paintings of Jean-Leon Gerome 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
82960		A Muezzin Calling from the Top of a Minaret the Faithful to Prayer	Date 1879(1879) Medium Oil on canvas Dimensions (91.4 x 66 cm) cjr
81830		After the Bath	Medium English: Oil on canvas Dimensions English: 82.6 x 66.7 cm cjr
61826		Arabs Crossing the Desert	1870. Oil on panel. 16.25 x 22 in. (41.2 x 56cm(. Najd Collection. Courtesy Mathaf Gallery, London.
81590		Arabs Crossing the Desert	Date 1870(1870) Source Oil on canvas cjr
93556		Bashi-Bazouk Chieftain	1881(1881) Medium Oil cjr
67152		Black Bashi-Bazouk	Year c. 1869 Technique Oil on canvas Dimensions 31 7/8 x 25 7/8 inches (81 x 66 cm)
90743		Bonaparte Before the Sphinx	1867-1868 Medium : Oil on canvas cjr
82928		Diogenes	1860(1860) Medium Oil on canvas cyf
82636		Egyptian Recruits Crossing the Desert	Date 1857(1857) Source Oil on panel cjr
83286		Egyptian water carrier.	Date ca. 1882(1882) Medium Oil on canvas cjr
67151		Eminence grise	Description G??rôme Eminence grise 1873.jpg Oil painting of the Grey Eminence, François Leclerc du Tremblay, the right-hand man of Cardinal Richelieu Date 1873
31089		Esclave a vendre	mk71 1873 Toile H.2.17 L.1.42 Musee d'Art et d'Industrie Andre Diligent ,de Roubaix
91772		General Bonaparte in Kairo	c. 1863(1863) Medium oil on panel cjr
69942		Gerome Eminence grise	Oil painting of the Grey Eminence, Francois Leclerc du Tremblay, the right-hand man of Cardinal Richelieu
59051		Harem baths	Harem baths
40024		Interior of a Mosque	mk155 undated Oil on canvas 22x31cm
59046		is the immediate source of the thumbs down gesture in popular culture. It is owned by Phoenix Art Museum.	Pollice Verso by Jean-L??on G??rôme, 1872, is the immediate source of the "thumbs down" gesture in popular culture. It is owned by Phoenix Art Museum.
66522		Jeunes Grecs Faisant battre des coqus	Oil on canvas 1846
71807		Jeunes Grecs Faisant battre des coqus	Date 1846
83169		King Candaules	Date 1859(1859) Medium Oil on canvas Dimensions 67.3 x 99 cm (26.5 x 39 in) cjr
96851		King Candaules	1859(1859) Medium oil on canvas Dimensions 67 X 100.1 cm cyf
27662		L Eminence grise	mk58 1873 oil on canvas 68.6x101cm Museum of Fine Arts,Boston
82637		Markos Botsaris	Date 1874(1874) Medium Oil on canvas cjr
96675		Mulher do xale verde	oil on canvas Dimensions 81.3 X 60.3 cm cyf
91287		Nude girl	1886(1886) Medium oil on canvas cjr
39950		Oedipus,or General Bonaparte in Egypt	mk155 1867-1868 Oil on canvas 30.2x45.6cm
38189		Painting Breathes Life Into Sculpture	mk29 1893 Oil on canvas 50.2x68.9cm
77805		Painting Breathes Life into Sculpture	ca. 1893(1893) Oil on canvas cjr
86653		Pelt Merchant of Cairo	Date 1869(1869) Medium Oil on canvas Dimensions (61.5 x 50 cm) cjr
59049		Phryne before the Areopagus,	Phryne before the Areopagus, 1861
27665		Pollice Verso	mk58 1872 oil on canvas 97.5x146.7cm Phoenix Art Museum
80151		Pollice Verso	1872 Oil on canvas cjr
38937		Pool in a Harem	mk142 ca.1876 Oil on canvas
59050		Reception of Le Grand Conde at Versailles	Reception of Le Grand Conde at Versailles (1878)
32591		Recreation by our Gallery	mk79 About 1890
93775		Slave Market in Rome	Date circa 1884(1884) Medium oil on canvas Dimensions Height: 92 cm (36.2 in). Width: 74 cm (29.1 in). TTD
59048		The Cockfight	The Cockfight (1846); now in the Mus??e d'Orsay, Paris.
84153		The Hookah Lighter	Date c. 1898 Medium Oil on canvas cjr
80625		The Snake Charmer	"The Snake Charmer", by Jean-Lxon Gxrôme. Oil on canvas; on display at the New Orleans Museum of Art, New Orleans, Louisiana, USA. This is not the classic painting much commented on in studies of Orientalism, but a different painting with the same name and general subject matter. Public domainPublic domainfalsefalse cjr
87036		Whirling Dervishes	Date ca. 1895 Medium Oil on canvas Dimensions 72.5 x 94 cm (28.5 x 37 in) cjr

Jean-Leon Gerome

French Academic Painter and Sculptor, 1824-1904 was a French painter and sculptor in the style now known as Academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits and other subjects, bringing the Academic painting tradition to an artistic climax. Born at Vesoul (Haute-Saône), he went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy (1843-1844). He visited Florence, Rome, the Vatican and Pompeii, but he was more attracted to the world of nature. Taken by a fever, he was forced to return to Paris in 1844. On his return he followed, like many other students of Delaroche, into the atelier of Charles Gleyre and studied there for a brief time. He then attended the Ecole des Beaux-Arts. In 1846 he tried to enter the prestigious Prix de Rome, but failed in the final stage because his figure drawing was inadequate. He tried to improve his skills by painting The Cockfight (1846), an academic exercise depicting a nude young man and a lightly draped girl with two fighting cocks and in the background the Bay of Naples. He sent this painting to the Salon of 1847, where it gained him a third-class medal. This work was seen as the epitome of the Neo-Grec movement that had formed out of Gleyre's studio (such as Henri-Pierre Picou (1824-1895) and Jean-Louis Hamon), and was championed by the influential French critic Theophile Gautier. G??rôme abandoned his dream of winning the Prix de Rome and took advantage of his sudden success. His paintings The Virgin, the Infant Jesus and St John (private collection) and Anacreon, Bacchus and Cupid (Mus??e des Augustins, Toulouse, France) took a second-class medal in 1848. In 1849 he produced the paintings Michelangelo (also called In his studio) (now in private collection) image of the painting and A portrait of a Lady (Mus??e Ingres, Montauban). In 1851 he decorated a vase, later offered by Emperor Napoleon III of France to Prince Albert, now part of the Royal Collection at St. James's Palace, London. He exhibited Bacchus and Love, Drunk, a Greek Interior and Souvenir d'Italie, in 1851; Paestum (1852); and An Idyll (1853). In 1852 G??rôme received a commission by Alfred Emilien Comte de Nieuwerkerke, Surintendant des Beaux-Arts to the court of Napoleon III, for the painting of a large historical canvas, the Age of Augustus image of the painting. In this canvas he combines the birth of Christ with conquered nations paying homage to Augustus. Thanks to a considerable down payment, he was able to travel in 1853 to Constantinople, together with the actor Edmond Got. This would be the first of several travels to the East : in 1854 he made another journey to Turkey and the shores of the Danube, where he was present at a concert of Russian conscripts, making music under the threat of a lash. In 1854 he completed another important commission of decorating the Chapel of St. Jerome in the church of St. S??verin in Paris. His Last communion of St. Jerome in this chapel reflects the influence of the school of Ingres on his religious works. To the exhibition of 1855 he contributed a Pifferaro, a Shepherd, A Russian Concert, The Age of Augustus and Birth of Christ.

All the Albert Bierstadt's Oil Paintings

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